He walked to the far end of the verandah, where the sofa stood, with a table in front of it. Here he sat down and covered his face with his hands, and so remained for ten minutes. Suddenly he put his hand in his coat-pocket and hurriedly produced three letters.
Rogojin laughed bitterly as he said these words, and opening the door, held it for the prince to pass out. Muishkin looked surprised, but went out. The other followed him as far as the landing of the outer stairs, and shut the door behind him. They both now stood facing one another, as though oblivious of where they were, or what they had to do next.
The prince sat down on a chair, and watched him in alarm. Half an hour went by.
In a word, the incident closed as such incidents do, and the band began to play again. The prince walked away after the Epanchin party. Had he thought of looking round to the left after he had been pushed so unceremoniously into the chair, he would have observed Aglaya standing some twenty yards away. She had stayed to watch the scandalous scene in spite of her mother’s and sisters’ anxious cries to her to come away.
“Be assured, most honourable, most worthy of princes--be assured that the whole matter shall be buried within my heart!” cried Lebedeff, in a paroxysm of exaltation. “I’d give every drop of my blood... Illustrious prince, I am a poor wretch in soul and spirit, but ask the veriest scoundrel whether he would prefer to deal with one like himself, or with a noble-hearted man like you, and there is no doubt as to his choice! He’ll answer that he prefers the noble-hearted man--and there you have the triumph of virtue! _Au revoir_, honoured prince! You and I together--softly! softly!”
“Don’t excite yourself; you seem very ill, and I am sorry for that. I am almost done, but there are a few facts to which I must briefly refer, as I am convinced that they ought to be clearly explained once for all....” A movement of impatience was noticed in his audience as he resumed: “I merely wish to state, for the information of all concerned, that the reason for Mr. Pavlicheff’s interest in your mother, Mr. Burdovsky, was simply that she was the sister of a serf-girl with whom he was deeply in love in his youth, and whom most certainly he would have married but for her sudden death. I have proofs that this circumstance is almost, if not quite, forgotten. I may add that when your mother was about ten years old, Pavlicheff took her under his care, gave her a good education, and later, a considerable dowry. His relations were alarmed, and feared he might go so far as to marry her, but she gave her hand to a young land-surveyor named Burdovsky when she reached the age of twenty. I can even say definitely that it was a marriage of affection. After his wedding your father gave up his occupation as land-surveyor, and with his wife’s dowry of fifteen thousand roubles went in for commercial speculations. As he had had no experience, he was cheated on all sides, and took to drink in order to forget his troubles. He shortened his life by his excesses, and eight years after his marriage he died. Your mother says herself that she was left in the direst poverty, and would have died of starvation had it not been for Pavlicheff, who generously allowed her a yearly pension of six hundred roubles. Many people recall his extreme fondness for you as a little boy. Your mother confirms this, and agrees with others in thinking that he loved you the more because you were a sickly child, stammering in your speech, and almost deformed--for it is known that all his life Nicolai Andreevitch had a partiality for unfortunates of every kind, especially children. In my opinion this is most important. I may add that I discovered yet another fact, the last on which I employed my detective powers. Seeing how fond Pavlicheff was of you,--it was thanks to him you went to school, and also had the advantage of special teachers--his relations and servants grew to believe that you were his son, and that your father had been betrayed by his wife. I may point out that this idea was only accredited generally during the last years of Pavlicheff’s life, when his next-of-kin were trembling about the succession, when the earlier story was quite forgotten, and when all opportunity for discovering the truth had seemingly passed away. No doubt you, Mr. Burdovsky, heard this conjecture, and did not hesitate to accept it as true. I have had the honour of making your mother’s acquaintance, and I find that she knows all about these reports. What she does not know is that you, her son, should have listened to them so complaisantly. I found your respected mother at Pskoff, ill and in deep poverty, as she has been ever since the death of your benefactor. She told me with tears of gratitude how you had supported her; she expects much of you, and believes fervently in your future success...”
Evgenie Pavlovitch left the house with strange convictions. He, too, felt that the prince must be out of his mind.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
The shrill tones of Hippolyte interrupted him. “What right have you... by what right do you demand us to submit this matter, about Burdovsky... to the judgment of your friends? We know only too well what the judgment of your friends will be!...”
“Immediately, immediately! As for my story, gentlemen, it is too stupid and absurd to tell you.
“Don’t abuse him; though I dare say you have something to complain of....”
“It’s burning, it’s burning!” cried all, thronging nearer and nearer to the fire in their excitement.
| “When you are not with me I hate you, Lef Nicolaievitch. I have loathed you every day of these three months since I last saw you. By heaven I have!” said Rogojin. “I could have poisoned you at any minute. Now, you have been with me but a quarter of an hour, and all my malice seems to have melted away, and you are as dear to me as ever. Stay here a little longer.” |
“But this is intolerable!” cried the visitors, some of them starting to their feet.
| It was now Totski’s turn, and his story was awaited with great curiosity--while all eyes turned on Nastasia Philipovna, as though anticipating that his revelation must be connected somehow with her. Nastasia, during the whole of his story, pulled at the lace trimming of her sleeve, and never once glanced at the speaker. Totski was a handsome man, rather stout, with a very polite and dignified manner. He was always well dressed, and his linen was exquisite. He had plump white hands, and wore a magnificent diamond ring on one finger. |
| “Then you must see that he is not responsible. What does it matter to you now, in any case? What are you hoping for still? If you _have_ a hope left, it is that your suffering air may soften her heart towards you.” |
“I shall never forgive you for all this, Ivan Fedorovitch--never! Look at her now. Why doesn’t she make fun of him? She said she would, and she doesn’t. Look there! She stares at him with all her eyes, and doesn’t move; and yet she told him not to come. He looks pale enough; and that abominable chatterbox, Evgenie Pavlovitch, monopolizes the whole of the conversation. Nobody else can get a word in. I could soon find out all about everything if I could only change the subject.”
“Ardalion Alexandrovitch Ivolgin,” said the smiling general, with a low bow of great dignity, “an old soldier, unfortunate, and the father of this family; but happy in the hope of including in that family so exquisite--”
“I have waited for you on purpose, and am very glad to see you arrive so happy,” said Hippolyte, when the prince came forward to press his hand, immediately after greeting Vera.
| “Yes--yes--for a while, I think,” stammered the prince. |
Nastasia did not try that particular experiment again. A few days before that fixed for the wedding, she grew grave and thoughtful. She always ended by getting the better of her melancholy, and becoming merry and cheerful again, but not quite so unaffectedly happy as she had been some days earlier.
“This is your doing, prince,” said Gania, turning on the latter so soon as the others were all out of the room. “This is your doing, sir! _You_ have been telling them that I am going to be married!” He said this in a hurried whisper, his eyes flashing with rage and his face ablaze. “You shameless tattler!”
Little by little the family gathered together upstairs in Lizabetha Prokofievna’s apartments, and Prince Muishkin found himself alone on the verandah when he arrived. He settled himself in a corner and sat waiting, though he knew not what he expected. It never struck him that he had better go away, with all this disturbance in the house. He seemed to have forgotten all the world, and to be ready to sit on where he was for years on end. From upstairs he caught sounds of excited conversation every now and then.
“Le roi de Rome,” whispered the general, trembling all over.
It was quite dark now, and Muishkin could not see her face clearly, but a minute or two later, when he and the general had left the villa, he suddenly flushed up, and squeezed his right hand tightly.
| “And how do you know that?” she asked him, sharply. |
“Can you shoot at all?”
“I knew yesterday that you didn’t love me.”
“No, I needn’t,” replied Rogojin, and taking the other by the hand he drew him down to a chair. He himself took a chair opposite and drew it up so close that he almost pressed against the prince’s knees. At their side was a little round table.
| “Quite so,” replied the general, “and what can I do for you?” |
“No, no, you needn’t do anything of the sort; you mustn’t hint gently at all. I’ll go down myself directly. I wish to apologize to this young man, because I hurt his feelings.”
| “Don’t shuffle! Say plainly that you think that I am quite wrong, without any ‘somewhat’! Why ‘somewhat’?” |
“I have heard many things of the kind about you...they delighted me... I have learned to hold you in the highest esteem,” continued Hippolyte.
| “I know very well that he does deceive me occasionally, and he knows that I know it, but--” The prince did not finish his sentence. |
On the third day there was no talk of him at all, until Aglaya remarked at dinner: “Mamma is cross because the prince hasn’t turned up,” to which the general replied that it was not his fault.
“Of course.”
“You’ve moved him to tears,” added Ferdishenko. But Hippolyte was by no means weeping. He was about to move from his place, when his four guards rushed at him and seized him once more. There was a laugh at this.
But when she had read it herself once more, it suddenly struck her that surely that conceited boy, Colia, had not been the one chosen correspondent of the prince all this while. She determined to ask him, and did so with an exaggerated show of carelessness. He informed her haughtily that though he had given the prince his permanent address when the latter left town, and had offered his services, the prince had never before given him any commission to perform, nor had he written until the following lines arrived, with Aglaya’s letter. Aglaya took the note, and read it.
| “No, I had better speak,” continued the prince, with a new outburst of feverish emotion, and turning towards the old man with an air of confidential trustfulness. “Yesterday, Aglaya Ivanovna forbade me to talk, and even specified the particular subjects I must not touch upon--she knows well enough that I am odd when I get upon these matters. I am nearly twenty-seven years old, and yet I know I am little better than a child. I have no right to express my ideas, and said so long ago. Only in Moscow, with Rogojin, did I ever speak absolutely freely! He and I read Pushkin together--all his works. Rogojin knew nothing of Pushkin, had not even heard his name. I am always afraid of spoiling a great Thought or Idea by my absurd manner. I have no eloquence, I know. I always make the wrong gestures--inappropriate gestures--and therefore I degrade the Thought, and raise a laugh instead of doing my subject justice. I have no sense of proportion either, and that is the chief thing. I know it would be much better if I were always to sit still and say nothing. When I do so, I appear to be quite a sensible sort of a person, and what’s more, I think about things. But now I must speak; it is better that I should. I began to speak because you looked so kindly at me; you have such a beautiful face. I promised Aglaya Ivanovna yesterday that I would not speak all the evening.” |
During the latter part of the conversation the black-haired young man had become very impatient. He stared out of the window, and fidgeted, and evidently longed for the end of the journey. He was very absent; he would appear to listen--and heard nothing; and he would laugh of a sudden, evidently with no idea of what he was laughing about.
| “But how meek she was when you spoke to her!” |
He took up the portrait, and went out of the room.
Suddenly Hippolyte arose. His face, shockingly pale, was that of a man overwhelmed with shame and despair. This was shown chiefly in the look of fear and hatred which he cast upon the assembled company, and in the wild smile upon his trembling lips. Then he cast down his eyes, and with the same smile, staggered towards Burdovsky and Doktorenko, who stood at the entrance to the verandah. He had decided to go with them.
“Who said that, Colia?”
| “Yes--for her!” said the prince softly and sadly, and bending his head down, quite unconscious of the fact that Aglaya was gazing at him with eyes which burned like live coals. “I came to find out something--I don’t believe in her future happiness as Rogojin’s wife, although--in a word, I did not know how to help her or what to do for her--but I came, on the chance.” |
“But enough!” he cried, suddenly. “I see I have been boring you with my--”
The conversation proceeded. The readiness of the fair-haired young man in the cloak to answer all his opposite neighbour’s questions was surprising. He seemed to have no suspicion of any impertinence or inappropriateness in the fact of such questions being put to him. Replying to them, he made known to the inquirer that he certainly had been long absent from Russia, more than four years; that he had been sent abroad for his health; that he had suffered from some strange nervous malady--a kind of epilepsy, with convulsive spasms. His interlocutor burst out laughing several times at his answers; and more than ever, when to the question, “whether he had been cured?” the patient replied:
| “He discovered everything, the monster... himself......” |
“Why?” asked Alexandra.
“Of course, of course! How was it?”
At the beginning of the evening, when the prince first came into the room, he had sat down as far as possible from the Chinese vase which Aglaya had spoken of the day before.
VII.
Aglaya flushed up angrily.
“A brilliant idea, and most true!” cried Lebedeff, “for he never even touched the laity. Sixty monks, and not a single layman! It is a terrible idea, but it is historic, it is statistic; it is indeed one of those facts which enables an intelligent historian to reconstruct the physiognomy of a special epoch, for it brings out this further point with mathematical accuracy, that the clergy were in those days sixty times richer and more flourishing than the rest of humanity and perhaps sixty times fatter also...”
“Well, what of that? Can’t I buy a new knife if I like?” shouted Rogojin furiously, his irritation growing with every word.
“She’s here,” replied Rogojin, slowly, after a slight pause.
The prince began to give his reasons, but she interrupted him again.
| “I assure you,” said the general, “that exactly the same thing happened to myself!” |
This message entirely calmed the prince’s mind.
“And why did you tell us this?”
Perhaps he was too easy in his mind. So thought Hippolyte, at all events, who met him in the park one day.
“Well, have you finished your silly joke?” she added, “and am I to be told what this ‘poor knight’ means, or is it a solemn secret which cannot be approached lightly?”
Hippolyte clutched his manuscript, and gazing at the last speaker with glittering eyes, said: “You don’t like me at all!” A few laughed at this, but not all.
He was panting with ecstasy. He walked round and round Nastasia Philipovna and told everybody to “keep their distance.”
The prince made his bows and retired at once. Alexandra and Adelaida smiled and whispered to each other, while Lizabetha Prokofievna glared severely at them. “We are only laughing at the prince’s beautiful bows, mamma,” said Adelaida. “Sometimes he bows just like a meal-sack, but to-day he was like--like Evgenie Pavlovitch!”
“And what time of day does the lady receive?” the latter asked, reseating himself in his old place.
| At this moment there was a terrific bang at the front door, almost enough to break it down. Some most unusual visitor must have arrived. Colia ran to open. |
| “Well, I am not a great authority on literary questions, but I certainly do hold that Russian literature is not Russian, except perhaps Lomonosoff, Pouschkin and Gogol.” |
“What’s true? What’s all this? What’s true?” said an alarmed voice just beside them.
| “Is that all?” asked Aglaya. |
| “I was watching for you, prince,” said the individual. |
Burdovsky next jumped up and explained that he had come in by accident, having escorted Hippolyte from town. He murmured that he was glad he had “written nonsense” in his letter, and then pressed the prince’s hand warmly and sat down again.
“What? At your house?” she asked, but without much surprise. “He was alive yesterday evening, wasn’t he? How could you sleep here after that?” she cried, growing suddenly animated.
“Well, I am not a great authority on literary questions, but I certainly do hold that Russian literature is not Russian, except perhaps Lomonosoff, Pouschkin and Gogol.”
“‘If only they would allow me to explain all to his excellency! If I could but be permitted to tell my tale to him!” he cried, trembling with feverish agitation, and his eyes flashing with excitement. I repeated once more that I could not hold out much hope--that it would probably end in smoke, and if I did not turn up next morning they must make up their minds that there was no more to be done in the matter.
IV.
“You wouldn’t believe how you have pained and astonished me,” cried the prince.
“Oh, I won’t read it,” said the prince, quite simply.
| Nastasia Philipovna was ready. She rose from her seat, looked into the glass and remarked, as Keller told the tale afterwards, that she was “as pale as a corpse.” She then bent her head reverently, before the ikon in the corner, and left the room. |
| “But there is nothing to understand! Sympathy and tenderness, that is all--that is all our poor invalid requires! You will permit me to consider him an invalid?” |
| Among our suburban resorts there are some which enjoy a specially high reputation for respectability and fashion; but the most careful individual is not absolutely exempt from the danger of a tile falling suddenly upon his head from his neighbour’s roof. |
“Varia does it from pride, and likes showing off, and giving herself airs. As to my mother, I really do admire her--yes, and honour her. Hippolyte, hardened as he is, feels it. He laughed at first, and thought it vulgar of her--but now, he is sometimes quite touched and overcome by her kindness. H’m! You call that being strong and good? I will remember that! Gania knows nothing about it. He would say that it was encouraging vice.”
“Yes--I dare say it is all as you say; I dare say you are quite right,” muttered the prince once more. “She is very sensitive and easily put out, of course; but still, she...”
The prince stopped.
| “My dear fellow!” cried Prince S., with some annoyance, “don’t you see that he is chaffing you? He is simply laughing at you, and wants to make game of you.” |
“Well, what am I to do? What do you advise me? I cannot go on receiving these letters, you know.”
“How was I to tell?” replied Rogojin, with an angry laugh. “I did my best to catch her tripping in Moscow, but did not succeed. However, I caught hold of her one day, and said: ‘You are engaged to be married into a respectable family, and do you know what sort of a woman you are? _That’s_ the sort of woman you are,’ I said.”
| “Oh stop, Lebedeff!” interposed Muishkin, feeling as if he had been touched on an open wound. “That... that has nothing to do with me. I should like to know when you are going to start. The sooner the better as far as I am concerned, for I am at an hotel.” |
“Never, never!” cried Rogojin, excitedly.
| “‘Oh, it was evident at the first glance,’ I said ironically, but not intentionally so. ‘There are lots of people who come up from the provinces full of hope, and run about town, and have to live as best they can.’ |
“Well, gentlemen!” she continued, gazing around in apparent astonishment; “what do you all look so alarmed about? Why are you so upset?”
The prince was rather alarmed at all this, and was obliged to end by appointing the same hour of the following day for the interview desired. The general left him much comforted and far less agitated than when he had arrived.
“You manage your composure too awkwardly. I see you wish to insult me,” he cried to Gania. “You--you are a cur!” He looked at Gania with an expression of malice.
Aglaya stamped her foot, and grew quite pale with anger.
II.
Prince S. tried hard to get up a conversation with Mrs. Epanchin upon outside subjects, probably with the good intention of distracting and amusing her; but he bored her dreadfully. She was absent-minded to a degree, and answered at cross purposes, and sometimes not at all.
“Not as a present, not as a present! I should not have taken the liberty,” said Lebedeff, appearing suddenly from behind his daughter. “It is our own Pushkin, our family copy, Annenkoff’s edition; it could not be bought now. I beg to suggest, with great respect, that your excellency should buy it, and thus quench the noble literary thirst which is consuming you at this moment,” he concluded grandiloquently.