| “At the table stood a man in his shirt sleeves; he had thrown off his coat; it lay upon the bed; and he was unfolding a blue paper parcel in which were a couple of pounds of bread, and some little sausages. |
| “Why on earth not?” asked the latter. “Really, you know, you are making yourself a nuisance, by keeping guard over me like this. I get bored all by myself; I have told you so over and over again, and you get on my nerves more than ever by waving your hands and creeping in and out in the mysterious way you do.” |
“What is it?” someone asked, breathlessly--“A misfire?”
| “I determined to die at Pavlofsk at sunrise, in the park--so as to make no commotion in the house. |
“What you say is quite true,” observed General Epanchin; then, clasping his hands behind his back, he returned to his place on the terrace steps, where he yawned with an air of boredom.
| “No, he has not.” |
“But the universal necessity of living, of drinking, of eating--in short, the whole scientific conviction that this necessity can only be satisfied by universal co-operation and the solidarity of interests--is, it seems to me, a strong enough idea to serve as a basis, so to speak, and a ‘spring of life,’ for humanity in future centuries,” said Gavrila Ardalionovitch, now thoroughly roused.
| “Yes.” |
“Especially as you know all, eh?”
“Oh, of course, of course; and you quite understand that I--”“Yes--yes--both! I do!”
| “She is there at this moment?” |
“His only reply to this was a sour grimace. He rose and looked for my cap, and placed it in my hand, and led me out of the house--that dreadful gloomy house of his--to all appearances, of course, as though I were leaving of my own accord, and he were simply seeing me to the door out of politeness. His house impressed me much; it is like a burial-ground, he seems to like it, which is, however, quite natural. Such a full life as he leads is so overflowing with absorbing interests that he has little need of assistance from his surroundings.
| “I know this much, that you did not go out to honest work, but went away with a rich man, Rogojin, in order to pose as a fallen angel. I don’t wonder that Totski was nearly driven to suicide by such a fallen angel.” |
| One of these incidents was a visit from Lebedeff. Lebedeff came rather early--before ten--but he was tipsy already. Though the prince was not in an observant condition, yet he could not avoid seeing that for at least three days--ever since General Ivolgin had left the house Lebedeff had been behaving very badly. He looked untidy and dirty at all times of the day, and it was said that he had begun to rage about in his own house, and that his temper was very bad. As soon as he arrived this morning, he began to hold forth, beating his breast and apparently blaming himself for something. |
“Well, Lukian Timofeyovitch, have you brought the little cupboard that you had at the head of your bed with you here?”
“Never mind; by-and-by; yes, I am not feeling well,” said the prince impatiently, hardly listening. He had just heard Hippolyte mention his own name.
| “I, like everyone else,” began the general, “have committed certain not altogether graceful actions, so to speak, during the course of my life. But the strangest thing of all in my case is, that I should consider the little anecdote which I am now about to give you as a confession of the worst of my ‘bad actions.’ It is thirty-five years since it all happened, and yet I cannot to this very day recall the circumstances without, as it were, a sudden pang at the heart. |
| However, one and all of the party realized that something important had happened, and that, perhaps fortunately enough, something which had hitherto been enveloped in the obscurity of guess-work had now begun to come forth a little from the mists. In spite of Prince S.’s assurances and explanations, Evgenie Pavlovitch’s real character and position were at last coming to light. He was publicly convicted of intimacy with “that creature.” So thought Lizabetha Prokofievna and her two elder daughters. |
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
It was a fact that Lebedeff, though he was so anxious to keep everyone else from disturbing the patient, was continually in and out of the prince’s room himself. He invariably began by opening the door a crack and peering in to see if the prince was there, or if he had escaped; then he would creep softly up to the arm-chair, sometimes making Muishkin jump by his sudden appearance. He always asked if the patient wanted anything, and when the latter replied that he only wanted to be left in peace, he would turn away obediently and make for the door on tip-toe, with deprecatory gestures to imply that he had only just looked in, that he would not speak a word, and would go away and not intrude again; which did not prevent him from reappearing in ten minutes or a quarter of an hour. Colia had free access to the prince, at which Lebedeff was quite disgusted and indignant. He would listen at the door for half an hour at a time while the two were talking. Colia found this out, and naturally told the prince of his discovery.
Of course nobody knew what Rogojin meant by this; but his words made a deep impression upon all. Everyone seemed to see in a flash the same idea.
“Keller is my name, sir; ex-lieutenant,” he said, very loud. “If you will accept me as champion of the fair sex, I am at your disposal. English boxing has no secrets from me. I sympathize with you for the insult you have received, but I can’t permit you to raise your hand against a woman in public. If you prefer to meet me--as would be more fitting to your rank--in some other manner, of course you understand me, captain.”
“Oh, but I do know, as it happens,” said the clerk in an aggravating manner. “Lebedeff knows all about her. You are pleased to reproach me, your excellency, but what if I prove that I am right after all? Nastasia Phillpovna’s family name is Barashkoff--I know, you see--and she is a very well known lady, indeed, and comes of a good family, too. She is connected with one Totski, Afanasy Ivanovitch, a man of considerable property, a director of companies, and so on, and a great friend of General Epanchin, who is interested in the same matters as he is.”
“That was a psychological phenomenon, not an action,” remarked Totski.
“This is too horrible,” said the general, starting to his feet. All were standing up now. Nastasia was absolutely beside herself.Arrived at the gate, the prince looked up at the legend over it, which ran:
“Yes--for her!” said the prince softly and sadly, and bending his head down, quite unconscious of the fact that Aglaya was gazing at him with eyes which burned like live coals. “I came to find out something--I don’t believe in her future happiness as Rogojin’s wife, although--in a word, I did not know how to help her or what to do for her--but I came, on the chance.”
“No, sir, I do not exaggerate, I understate the matter, if anything, undoubtedly understate it; simply because I cannot express myself as I should like, but--”| Arrived at her own house, Varia heard a considerable commotion going on in the upper storey, and distinguished the voices of her father and brother. On entering the salon she found Gania pacing up and down at frantic speed, pale with rage and almost tearing his hair. She frowned, and subsided on to the sofa with a tired air, and without taking the trouble to remove her hat. She very well knew that if she kept quiet and asked her brother nothing about his reason for tearing up and down the room, his wrath would fall upon her head. So she hastened to put the question: |
| “Here, in the first place, comes a strange thought! |
| “In point of fact I don’t think I thought much about it,” said the old fellow. He seemed to have a wonderfully good memory, however, for he told the prince all about the two old ladies, Pavlicheff’s cousins, who had taken care of him, and whom, he declared, he had taken to task for being too severe with the prince as a small sickly boy--the elder sister, at least; the younger had been kind, he recollected. They both now lived in another province, on a small estate left to them by Pavlicheff. The prince listened to all this with eyes sparkling with emotion and delight. |
“PR. L. MUISHKIN.”
| “What? What? What?” cried all the visitors at once, in violent agitation. |
| “The face was depicted as though still suffering; as though the body, only just dead, was still almost quivering with agony. The picture was one of pure nature, for the face was not beautified by the artist, but was left as it would naturally be, whosoever the sufferer, after such anguish. |
“You know I am a bit of a poet,” said he. “Have you noticed it? The poetic soul, you know.” Then he added suddenly--“But after all... after all I believe we made a mistake this time! I remember that the Sokolovitch’s live in another house, and what is more, they are just now in Moscow. Yes, I certainly was at fault. However, it is of no consequence.”