| “Run away from home?” cried the prince. |
Lebedeff, Ptitsin, and General Ivolgin hastened to find chairs for the young ladies. Varia greeted them joyfully, and they exchanged confidences in ecstatic whispers.
“What Osterman?” asked the prince in some surprise. “And you are not offended?”“Why should it be secret? Not at all; I will call on her myself tomorrow.”
| “Does she know about father, do you think--or not?” |
Nina Alexandrovna came in, looking frightened. She had changed much since we last saw her, half a year ago, and had grown thin and pale. Colia looked worried and perplexed. He could not understand the vagaries of the general, and knew nothing of the last achievement of that worthy, which had caused so much commotion in the house. But he could see that his father had of late changed very much, and that he had begun to behave in so extraordinary a fashion both at home and abroad that he was not like the same man. What perplexed and disturbed him as much as anything was that his father had entirely given up drinking during the last few days. Colia knew that he had quarrelled with both Lebedeff and the prince, and had just bought a small bottle of vodka and brought it home for his father.
Suddenly Aglaya entered the verandah. She seemed to be quite calm, though a little pale.
“Do you ever give him money?”
| “Just two words: have you any means at all? Or perhaps you may be intending to undertake some sort of employment? Excuse my questioning you, but--” |
| “Yes... from you it is quite natural.” |
“Well, just now you said there were no honest nor good people about, that there were only money-grubbers--and here they are quite close at hand, these honest and good people, your mother and Varia! I think there is a good deal of moral strength in helping people in such circumstances.”
| “You asked me about your faces, and what I could read in them; I will tell you with the greatest pleasure. You, Adelaida Ivanovna, have a very happy face; it is the most sympathetic of the three. Not to speak of your natural beauty, one can look at your face and say to one’s self, ‘She has the face of a kind sister.’ You are simple and merry, but you can see into another’s heart very quickly. That’s what I read in your face. |
She became so excited and agitated during all these explanations and confessions that General Epanchin was highly gratified, and considered the matter satisfactorily arranged once for all. But the once bitten Totski was twice shy, and looked for hidden snakes among the flowers. However, the special point to which the two friends particularly trusted to bring about their object (namely, Gania’s attractiveness for Nastasia Philipovna), stood out more and more prominently; the pourparlers had commenced, and gradually even Totski began to believe in the possibility of success.
“Yes, I will if I may; and--can I take off my cloak”
| “No, no, no, no, no! Nothing of the sort, I assure you!” said Lebedeff, hastily. “Oh dear no, not for the world! Totski’s the only man with any chance there. Oh, no! He takes her to his box at the opera at the French theatre of an evening, and the officers and people all look at her and say, ‘By Jove, there’s the famous Nastasia Philipovna!’ but no one ever gets any further than that, for there is nothing more to say.” |
| “Of course I looked there,--of course I did! Very much so! I looked and scrambled about, and felt for it, and wouldn’t believe it was not there, and looked again and again. It is always so in such cases. One longs and expects to find a lost article; one sees it is not there, and the place is as bare as one’s palm; and yet one returns and looks again and again, fifteen or twenty times, likely enough!” |
“Oh no; not at all.”
| “No,” said the prince, “no, I do not love her. Oh! if you only knew with what horror I recall the time I spent with her!” |
Mrs. Epanchin flushed up; some accumulation of spleen in her suddenly needed an outlet. She could not bear this General Ivolgin whom she had once known, long ago--in society.
| For instance, when the whole essence of an ordinary person’s nature lies in his perpetual and unchangeable commonplaceness; and when in spite of all his endeavours to do something out of the common, this person ends, eventually, by remaining in his unbroken line of routine--. I think such an individual really does become a type of his own--a type of commonplaceness which will not for the world, if it can help it, be contented, but strains and yearns to be something original and independent, without the slightest possibility of being so. To this class of commonplace people belong several characters in this novel;--characters which--I admit--I have not drawn very vividly up to now for my reader’s benefit. |
“Yes, lock it.”