“And why not? Why, the last time I simply told straight off about how I stole three roubles.”

Meanwhile nothing put the prince out, and he continued to be in the seventh heaven of bliss. Of course he could not fail to observe some impatience and ill-temper in Aglaya now and then; but he believed in something else, and nothing could now shake his conviction. Besides, Aglaya’s frowns never lasted long; they disappeared of themselves.
“Yes, it’s a droll situation; I really don’t know what advice to give you,” replied Evgenie, laughing. Hippolyte gazed steadfastly at him, but said nothing. To look at him one might have supposed that he was unconscious at intervals.

“I know nothing whatever about it!” replied the latter, who was, himself, in a state of nervous excitement.

“He beat me, he thrashed me unmercifully!” replied Lebedeff vehemently. “He set a dog on me in Moscow, a bloodhound, a terrible beast that chased me all down the street.”
“Ha, ha! it’s Eroshka now,” laughed Hippolyte.
Gania’s voice was full of the most uncontrolled and uncontrollable irritation.
“I see, I see,” said Evgenie, smiling gently. His mirth seemed very near the surface this evening.

This time everyone laughed at her, her sisters, Prince S., Prince Muishkin (though he himself had flushed for some reason), and Colia. Aglaya was dreadfully indignant, and looked twice as pretty in her wrath.

“You have!” cried Aglaya. “I might have guessed it. That’s a fitting crown to the rest of the story. If you have seen an execution, how can you say you lived happily all the while?”

At last he was wide awake.

“I don’t quite know. Your house has the aspect of yourself and all your family; it bears the stamp of the Rogojin life; but ask me why I think so, and I can tell you nothing. It is nonsense, of course. I am nervous about this kind of thing troubling me so much. I had never before imagined what sort of a house you would live in, and yet no sooner did I set eyes on this one than I said to myself that it must be yours.”

“You have so many sources of trouble here, Colia,” said the prince.

Ivan Fedorovitch held out his hand to Muishkin, but ran after his wife, who was leaving with every sign of violent indignation, before he had time to shake it. Adelaida, her fiance, and Alexandra, said good-bye to their host with sincere friendliness. Evgenie Pavlovitch did the same, and he alone seemed in good spirits. “From whom? To whom?”
The prince gazed into his face with pleasure, but still seemed to have no power to speak. His breath failed him. The old man’s face pleased him greatly.

Several times during the last six months he had recalled the effect which the first sight of this face had had upon him, when he only saw its portrait. He recollected well that even the portrait face had left but too painful an impression.

“Last week? In the night? Have you gone cracked, my good friend?”

“I _do_ know all!” she cried, with another burst of indignation. “You were living in the same house as that horrible woman with whom you ran away.” She did not blush as she said this; on the contrary, she grew pale, and started from her seat, apparently oblivious of what she did, and immediately sat down again. Her lip continued to tremble for a long time.
The prince did not exactly pant for breath, but he “seemed almost to _choke_ out of pure simplicity and goodness of heart,” as Adelaida expressed it, on talking the party over with her fiance, the Prince S., next morning.
“I was passionately in love with her when she was engaged--engaged to my friend. The prince noticed the fact and was furious. He came and woke me at seven o’clock one morning. I rise and dress in amazement; silence on both sides. I understand it all. He takes a couple of pistols out of his pocket--across a handkerchief--without witnesses. Why invite witnesses when both of us would be walking in eternity in a couple of minutes? The pistols are loaded; we stretch the handkerchief and stand opposite one another. We aim the pistols at each other’s hearts. Suddenly tears start to our eyes, our hands shake; we weep, we embrace--the battle is one of self-sacrifice now! The prince shouts, ‘She is yours;’ I cry, ‘She is yours--’ in a word, in a word--You’ve come to live with us, hey?”
“I wish to work, somehow or other.”

“What, his face? only his face?” asked Adelaida. “That would be a strange subject indeed. And what sort of a picture would that make?”

“And how do _you_ know that he left two million and a half of roubles?” asked Rogojin, disdainfully, and not deigning so much as to look at the other. “However, it’s true enough that my father died a month ago, and that here am I returning from Pskoff, a month after, with hardly a boot to my foot. They’ve treated me like a dog! I’ve been ill of fever at Pskoff the whole time, and not a line, nor farthing of money, have I received from my mother or my confounded brother!”
Meanwhile the daylight grew full and strong; and at last the prince lay down, as though overcome by despair, and laid his face against the white, motionless face of Rogojin. His tears flowed on to Rogojin’s cheek, though he was perhaps not aware of them himself.
“Why, you wished to have a talk with me when the others left?” he said.
He only stayed at his country seat a few days on this occasion, but he had time to make his arrangements. Great changes took place in the child’s education; a good governess was engaged, a Swiss lady of experience and culture. For four years this lady resided in the house with little Nastia, and then the education was considered complete. The governess took her departure, and another lady came down to fetch Nastia, by Totski’s instructions. The child was now transported to another of Totski’s estates in a distant part of the country. Here she found a delightful little house, just built, and prepared for her reception with great care and taste; and here she took up her abode together with the lady who had accompanied her from her old home. In the house there were two experienced maids, musical instruments of all sorts, a charming “young lady’s library,” pictures, paint-boxes, a lap-dog, and everything to make life agreeable. Within a fortnight Totski himself arrived, and from that time he appeared to have taken a great fancy to this part of the world and came down each summer, staying two and three months at a time. So passed four years peacefully and happily, in charming surroundings.
At that moment Colia appeared on the terrace; he announced that Lizabetha Prokofievna and her three daughters were close behind him.
“Mine, mine!” she cried. “Has the proud young lady gone? Ha, ha, ha!” she laughed hysterically. “And I had given him up to her! Why--why did I? Mad--mad! Get away, Rogojin! Ha, ha, ha!”
“Then I will never speak to you again.” She made a sudden movement to go, and then turned quickly back. “And you will call on that atheist?” she continued, pointing to Hippolyte. “How dare you grin at me like that?” she shouted furiously, rushing at the invalid, whose mocking smile drove her to distraction.

“Mamma!” cried Alexandra, significantly.

“There, you see, girls,” said the impatient lady, “he _has_ begun, you see.”

“It was a silly affair--I was an ensign at the time. You know ensigns--their blood is boiling water, their circumstances generally penurious. Well, I had a servant Nikifor who used to do everything for me in my quarters, economized and managed for me, and even laid hands on anything he could find (belonging to other people), in order to augment our household goods; but a faithful, honest fellow all the same.

“Papa, you are wanted!” cried Colia.

“You are innocent--and in your innocence lies all your perfection--oh, remember that! What is my passion to you?--you are mine now; I shall be near you all my life--I shall not live long!”
“Yes, that’s the man!” said another voice.
Lebedeff stood two or three paces behind his chief; and the rest of the band waited about near the door.
“Why?”
“Nastasia Philipovna!” cried the prince.

“Yes, me, of course! Of course you were afraid of me, or you would not have decided to come. You cannot despise one you fear. And to think that I have actually esteemed you up to this very moment! Do you know why you are afraid of me, and what is your object now? You wished to satisfy yourself with your own eyes as to which he loves best, myself or you, because you are fearfully jealous.”

A silly, meaningless smile played on his white, death-like lips. He could not take his eyes off the smouldering packet; but it appeared that something new had come to birth in his soul--as though he were vowing to himself that he would bear this trial. He did not move from his place. In a few seconds it became evident to all that he did not intend to rescue the money.
“Wait a bit, my boy, I’ll just go--you stay here, you know. But do just explain, if you can, Lef Nicolaievitch, how in the world has all this come about? And what does it all mean? You must understand, my dear fellow; I am a father, you see, and I ought to be allowed to understand the matter--do explain, I beg you!”
“Under the chair? Impossible! Why, you told me yourself that you had searched every corner of the room? How could you not have looked in the most likely place of all?”
By this time, to judge from appearances, poor Prince Muishkin had been quite forgotten in St. Petersburg. If he had appeared suddenly among his acquaintances, he would have been received as one from the skies; but we must just glance at one more fact before we conclude this preface.

In spite of his shyness and agitation, he could not help being greatly interested in the conversation. A special characteristic of his was the naive candour with which he always listened to arguments which interested him, and with which he answered any questions put to him on the subject at issue. In the very expression of his face this naivete was unmistakably evident, this disbelief in the insincerity of others, and unsuspecting disregard of irony or humour in their words.

“Final explanation: I die, not in the least because I am unable to support these next three weeks. Oh no, I should find strength enough, and if I wished it I could obtain consolation from the thought of the injury that is done me. But I am not a French poet, and I do not desire such consolation. And finally, nature has so limited my capacity for work or activity of any kind, in allotting me but three weeks of time, that suicide is about the only thing left that I can begin and end in the time of my own free will.

“Oughtn’t-oughtn’t we to secure her?” asked the general of Ptitsin, in a whisper; “or shall we send for the authorities? Why, she’s mad, isn’t she--isn’t she, eh?”

“He’s a little screw,” cried the general; “he drills holes in my heart and soul. He wishes me to be a pervert to atheism. Know, you young greenhorn, that I was covered with honours before ever you were born; and you are nothing better than a wretched little worm, torn in two with coughing, and dying slowly of your own malice and unbelief. What did Gavrila bring you over here for? They’re all against me, even to my own son--all against me.”

“I have never given him my word at all, nor have I ever counted him as my future husband--never in my life. He is just as little to me as all the rest.”

“And you allowed it?”

“Oh! it’s not a great matter to guess who told her. A thief! A thief in our family, and the head of the family, too!” “Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
The prince certainly was very pale. He sat at the table and seemed to be feeling, by turns, sensations of alarm and rapture.

Madame Filisoff was a little woman of forty, with a cunning face, and crafty, piercing eyes. When, with an air of mystery, she asked her visitor’s name, he refused at first to answer, but in a moment he changed his mind, and left strict instructions that it should be given to Nastasia Philipovna. The urgency of his request seemed to impress Madame Filisoff, and she put on a knowing expression, as if to say, “You need not be afraid, I quite understand.” The prince’s name evidently was a great surprise to her. He stood and looked absently at her for a moment, then turned, and took the road back to his hotel. But he went away not as he came. A great change had suddenly come over him. He went blindly forward; his knees shook under him; he was tormented by “ideas”; his lips were blue, and trembled with a feeble, meaningless smile. His demon was upon him once more.

Rogojin listened to the end, and then burst out laughing:
“I think you said, prince, that your letter was from Salaskin? Salaskin is a very eminent man, indeed, in his own world; he is a wonderfully clever solicitor, and if he really tells you this, I think you may be pretty sure that he is right. It so happens, luckily, that I know his handwriting, for I have lately had business with him. If you would allow me to see it, I should perhaps be able to tell you.”
He glanced at Aglaya, who was listening with a look of hatred on her face. “I didn’t say right out who I was, but Zaleshoff said: ‘From Parfen Rogojin, in memory of his first meeting with you yesterday; be so kind as to accept these!’ Muiskhin looked disturbed, but continued to gaze intently and questioningly into Prince S.’s face. The latter, however, remained silent. The prince left her at eleven, full of these thoughts, and went home. But it was not twelve o’clock when a messenger came to say that Nastasia was very bad, and he must come at once.

“Nastasia Philipovna.” said the prince, quietly, and with deep emotion, “I said before that I shall esteem your consent to be my wife as a great honour to myself, and shall consider that it is you who will honour me, not I you, by our marriage. You laughed at these words, and others around us laughed as well; I heard them. Very likely I expressed myself funnily, and I may have looked funny, but, for all that, I believe I understand where honour lies, and what I said was but the literal truth. You were about to ruin yourself just now, irrevocably; you would never have forgiven yourself for so doing afterwards; and yet, you are absolutely blameless. It is impossible that your life should be altogether ruined at your age. What matter that Rogojin came bargaining here, and that Gavrila Ardalionovitch would have deceived you if he could? Why do you continually remind us of these facts? I assure you once more that very few could find it in them to act as you have acted this day. As for your wish to go with Rogojin, that was simply the idea of a delirious and suffering brain. You are still quite feverish; you ought to be in bed, not here. You know quite well that if you had gone with Rogojin, you would have become a washer-woman next day, rather than stay with him. You are proud, Nastasia Philipovna, and perhaps you have really suffered so much that you imagine yourself to be a desperately guilty woman. You require a great deal of petting and looking after, Nastasia Philipovna, and I will do this. I saw your portrait this morning, and it seemed quite a familiar face to me; it seemed to me that the portrait-face was calling to me for help. I--I shall respect you all my life, Nastasia Philipovna,” concluded the prince, as though suddenly recollecting himself, and blushing to think of the sort of company before whom he had said all this.

He evidently had sudden fits of returning animation, when he awoke from his semi-delirium; then, recovering full self-possession for a few moments, he would speak, in disconnected phrases which had perhaps haunted him for a long while on his bed of suffering, during weary, sleepless nights.
“No, oh no!” cried Lebedeff, waving his arms; “if she is afraid, it is not for the reason you think. By the way, do you know that the monster comes every day to inquire after your health?”
“Who knows? Perhaps she is not so mad after all,” said Rogojin, softly, as though thinking aloud.
“And I’ve heard one!” said Adelaida. All three of the girls laughed out loud, and the prince laughed with them.
“Mother,” said Rogojin, kissing her hand, “here is my great friend, Prince Muishkin; we have exchanged crosses; he was like a real brother to me at Moscow at one time, and did a great deal for me. Bless him, mother, as you would bless your own son. Wait a moment, let me arrange your hands for you.”
It was a matter of general knowledge that the three girls were very fond of one another, and supported each other in every way; it was even said that the two elder ones had made certain sacrifices for the sake of the idol of the household, Aglaya. In society they not only disliked asserting themselves, but were actually retiring. Certainly no one could blame them for being too arrogant or haughty, and yet everybody was well aware that they were proud and quite understood their own value. The eldest was musical, while the second was a clever artist, which fact she had concealed until lately. In a word, the world spoke well of the girls; but they were not without their enemies, and occasionally people talked with horror of the number of books they had read.

The servant, though of course he could not have expressed all this as the prince did, still clearly entered into it and was greatly conciliated, as was evident from the increased amiability of his expression. “If you are really very anxious for a smoke,” he remarked, “I think it might possibly be managed, if you are very quick about it. You see they might come out and inquire for you, and you wouldn’t be on the spot. You see that door there? Go in there and you’ll find a little room on the right; you can smoke there, only open the window, because I ought not to allow it really, and--.” But there was no time, after all.

Whether she were a woman who had read too many poems, as Evgenie Pavlovitch supposed, or whether she were mad, as the prince had assured Aglaya, at all events, this was a woman who, in spite of her occasionally cynical and audacious manner, was far more refined and trustful and sensitive than appeared. There was a certain amount of romantic dreaminess and caprice in her, but with the fantastic was mingled much that was strong and deep.